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MWCC Humanities Project Enters Third Year with “Imagining Work”

The Clarkson S. Fisher Federal Building & U.S. Courthouse. "New Deal" WPA Art. Built in 1932 and designed by architect James Wetmore. The exterior of the Trenton Federal Building is a well executed design with a "Stipped Neo-Classical" form, both Classical and Art Deco terra cotta detailing. The "New Deal Art" murals are by Charles Wells.
“New Deal” WPA art, Clarkson S. Fisher Federal Building & U.S. Courthouse, Trenton, NJ, Library of Congress, Prints & Photographs Division, photograph by Carol M. Highsmith.

Following an inaugural year with Henry David Thoreau and last year’s examination of Mary Shelley’s Frankenstein, the Mount Wachusett Community College Humanities Project will begin its third year this fall with an artistic focus on “Imagining Work.”

During the upcoming academic year, students, faculty, staff and members of the greater community will delve into the many ways artists, writers and photographers have expressed the changing nature of work over the past 150 years. From farm to factory in the 19th century to our present-day knowledge economy, the effects of automation, globalization, immigration, war, and race on the identity of the American worker will be explored. A variety of events scheduled at the college and in the community are free and open to the public.

Funded through a multi-year challenge grant from the National Endowment for the Humanities, the MWCC Humanities Project strengthens the college’s humanities curriculum; supports collaborative and interdisciplinary teaching and research in the humanities; examines the intersection between the humanities and other academic disciplines; and engages the college and the greater community in the discussion of enduring themes from the world’s many cultures and traditions.

The theme will focus on the Great Depression photographs of Dorothea Lange, the Great Migration paintings by African American artist Jacob Lawrence and the poetry of Diane Gilliam Fisher, author of the award-winning book, Kettle Bottom, which depicts the Virginia mining wars.

“Year three of the Humanities Project is focused on something that MWCC students, faculty, staff and community members know a lot about – work,” said English Professor and Project Coordinator Michelle Valois. “Can the mundane be the subject of great works of art?  Can we find beauty in something we do day in and day out?  Our study will focus on paintings, photographs and poems that have transformed work into more than just a paycheck. These works of art show us the struggles and the joys of the American worker.”

This summer, participating faculty representing multiple disciplines met for a two-day workshop to develop curriculum and activities centered on the theme. Among several presentations, Stephen B. Jareckie, consulting curator of photography for the Fitchburg Art Museum, spoke on early 20th century photography, and artist and MWCC art history instructor Donalyn Schofield discussed the artwork of Jacob Lawrence.

Upcoming fall events include a gallery talk with Tracie Pouliot, founder of the Chair City Community Art Center and Oral History Bookmaking Project; the third annual hike for the humanities fundraiser at Wachusett Mountain; a pizza party and poetry readings from Kettle Bottom; an interactive art project creating replicas of Lawrence’s paintings; and a student poetry and prose slam.

Spring events will include a poetry reading with author Diane Gilliam Fisher; a presentation by University of Massachusetts, Lowell Professor Robert Forrant on female mill workers in Lowell from 1825 to 1860; and film screenings with Fitchburg State University Professor Joe Moser, including “Grab a Hunk of Lightning,” about the life of Dorothea Lange, Charlie Chaplin’s “Modern Times,” “The Devil and Miss Jones,” and “The Life and Times of Rosie the Riveter.”

For more information, visit mwcc.edu/humanitiesproject.